galerie søren bollinger
paris・københavn・austin・beijing
From July 15, 2025 to July 22, 2025
Andrea Sakamoto | The Oxymoronic Subject
From July 8, 2025 to July 15, 2025
Andrea Sakamoto was born in Pittsburgh and now lives between Vladivostok and Venice. A graduate of the University of the Arts London in 2014, she developed her taste for photography in Hong Kong. Her work is marked by her interest in the issues of memory and identity as well as Zoroastrianism.
In "The Oxymoronic Subject," artist Andrea Sakamoto engages in a deep and bold exploration of the alteration of the contemporary superego, interrogating it with palpable rigor. Echoing the troubling cacophony that characterizes our modern world, her visual performance acts as a catalyst, awakening and intensifying the senses that emanate from the creative and manufacturing action. Her carefully orchestrated presentation must reinvest the gestures meaningfully, just as her ambitious project is dedicated to reconstructing the complex and often tumultuous flows of personal identity. Skillfully drawing inspiration from Jackson Pollock's work, Andrea Sakamoto does not merely revisit the gray and blurry areas of the self; she invites the viewer to immerse themselves in a nuanced reflection on subjectivity, thus paving the way for a poetic and stimulating redefinition of our relationship with ourselves and the world around us.
Ilka Krajcberg | To Invest
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Ilka Krajcberg grew up in Maputo. After studying at Harare Polytechnic College, she fully dedicates herself to performances. This multi-talented artist focuses her artistic project on the question of gestures.
Ilka Krajcberg develops on the canvas the theme that concerns her. Through an intense questioning of our complex relationship with the world, her work urges us to recognize the urgency of decoding the new forms that revolve around this crucial theme. Her performative presentation is not content to captivate; it emerges as a true cry of alarm, calling for the deconstruction of urbanity while echoing her pop-up manifesto, which ventures to explore what the archaeology of figuration reveals. This fascinating game of fetishism is not limited to provoking; it rises as a fervent exhortation to reevaluate the present moment in all its depth and complexity.