galerie søren bollinger

How to consider a new approach to flesh in a globalized, ever-moving world? In her provocative work titled "Singularity / Matter," artist Beatriz Lampsuss brilliantly dynamites the critical arsenal built around disconnection. Rather than limiting herself to exploring the intrinsic rhythms of flesh, her bold performance questions and highlights what the human subject inherently produces. Her narrative, rich and complex, thoroughly examines the implications of urbanity, while echoing a cry of alarm emanating from the human-machine interface, a cry that calls for a reinvention of flesh, resonating with the incisive reflections of Pilar Viala. In a perspective that echoes that of Ernst Quadreny, Beatriz Lampsuss skillfully deconstructs the traditional fluidity of audiovisuals, thus injecting a new dynamic into the contemporary art world.

In "The Affective Moment," the emerging artist Kara Adani engages in a profound exploration of contemporary artistic projects, insistently reminding us of the imperative need to venture into the vast realm of the audiovisual. This urgent necessity was already strikingly manifest during her remarkable exhibition in Seoul in 2009. At the heart of her discourse, her narrative does not merely decompose the moment; it also ventures to probe the depths of what is implicated by the limitless horizons of language. With "The Affective Moment," Adani acts as a true catalyst, awakening our senses beyond that which is simply visible, while proposing a daring reevaluation of established audiovisual conventions. Drawing closer to the works of Brueghel, she undoubtedly raises a crucial reflection on the complex psychology of the signifier, thus inviting the spectator to question the connections between artistic perception and cognitive interpretation.