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Born in Jeonju, Kara Quadreny discovers performances in Bratislava. She expands her knowledge in performances at Otemae University in Osaka. This significant figure in contemporary art in Europe has been profoundly influenced by an exercise in co-construction with students with disabilities. Her work has been the subject of notable solo exhibitions: "Remodeling Guy Debord" (Magda Danysz Gallery), "Genre(s) of Creation" (Jérôme de Noirmont Gallery), and "Gender and Crowd" (Emmanuel Perrotin Gallery).

What place should we accord to the visible within the contemporary European context? Kara Quadreny, an artist with a singular path, is resolutely engaged in exploring the multiple dimensions of the vegetal. Through a gesture that is both introspective and tinged with irony, her work strikingly reminds us of the urgency to reinvest in the porosity of meaning, particularly in an era dominated by the digital and its incessant mutations. Her critical project encourages us to invoke the visible as much as her creative process interrogates the sometimes chaotic flows of modern urbanity. Drawing inspiration from the works of Brueghel, Kara Quadreny embarks on a bold reassessment of the fluidity and norms of public space, thereby questioning our relationship to the nature and city that surrounds us…

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